My little piece of The Fault in Our Stars

I enjoy the act of making art so much that sometimes I forget that sharing it is part of the process. I work away in my corner of a studio I share with some amazing women… making, making, making… I do it because I don’t know how not to, but on some level, I do it for other people. I harbor that fantasy of being “discovered”. I don’t care about being famous or anything, but don’t want the work to go unseen either.

So I make and I paint and I post. I update Facebook, Instagram, my website, Etsy and blog as a means of showing the world what I’m up to (and in hopes of making a living). And sometimes it works.

In August 2013, I received an e-mail from a woman who said she was a set buyer and that she had seen my website and would I be interested in having artwork in a feature film? To be honest, the skeptic in me thought it was a scam at first. I called her anyway and it was the real thing.

My phone call was brief and excited and plans were made. Within a week I was commissioned and working on a set of sketchbooks/journals for the film adaptation of Indianapolis author John Green’s bestselling novel, The Fault in Our Stars.

I’ve kept sketchbooks/journals for a very long time and because they are built up over time, it can take a year or more to complete each one, if you could ever really consider them complete. I somehow (magically, insanely, exhaustively) created three in four days and shipped them off to the set in Pittsburgh (for more on why this Indy-based film was shot in Pittsburgh, I give you Hugh Vandivier’s Sky Blue Window article here).

Sketchbook Collage

Samples from previous sketchbooks.

Much of what fills the pages is from the past ten or more years of my own sketchbooks. It made for a great opportunity to go back and see where I’d been artistically and mentally over a number of years. I loved every minute of this project!

I only generally know where to look for these books, I’m told they will be somewhere in the main character’s bedroom and you can be sure I’ll be on the look out for them in each of what’s sure to be many viewings. They may only be on screen for a brief moment, but I’ll know they’re there, and that’s good enough for me.


I’m happy to say that I have artwork in a movie, especially this movie, and hope to do something like this again. Seriously, go read the book and then let’s all go see The Fault in Our Stars when it comes out on June 6.


Trailer: 20th Century Fox | images copyright Kate Oberreich 2013/14

The Progress of a Commission

It’s not time-lapsed or anything, but here’s the progression of a recent commission featuring (surprise!) paper airplanes. Yes, the obsession continues and now I’m bringing others into the madness.

This painting was commissioned with a specific space and color story in mind…





For the most part, I love doing commissioned work. It works best when you already like what I do and want something custom in a similar vein.

Need something special for your home or as a gift? Drop me a note, I can work within a variety of mediums and sizes to fit your budget.

Location, Location, Location!

Whilst snowed in not quite two months ago I embarked on a mini watercolor painting project. Unable to make it the studio, I parked myself in front of the TV with a marathon of season two of Homeland and created a mini map of downtown Indy.


After posting a couple of in progress pictures on Instagram the requests for prints came in. Now I’m happy to oblige.


8×10 inch prints (which is pretty dern close the original size of the painting) are now available for $25 each. Special orders for different sizes and colors are an option as well.

You can get yours by contacting me directly, or by swinging by Silver in the City on Mass Ave (which you can then locate on the map).

On Not Blogging

Hey friends,

Apologies for my lack of updates. I’m having a great time in Portland (here for a workshop with Sabrina Ward Harrison).

Exploring the city, which is easily walkable with tons to see and do. The food has been great and I’ve made some new friends at the workshop.

Plenty more to come, but I’m excited to get home and back in my studio. Feeling re-inspired.

Enjoy your day!


Website and Life Update

I’m sorry. I’ve been horrible about adding new things to the blog. I’ve even lost track of my photo-a-day project. There’s a good reason for it though.

The last month has had me preparing for my trip to Portland (thank you so much to my supporters, both financial and otherwise for helping me get there), launching the new Tiny Shows at Seed & Star Studio, finishing out a couple of commissions and starting on a new, secret-for-now project. Don’t worry, as soon as I can say more I will.

In the meantime, I’ve snuck in a quick update to my website. PSA to artists – get a website (or blog, or some other venue for people to see your work online). Even my age old, hardly updated website has put enough work out there to hook me up with the afore mentioned secret project.


I’ve added several new images to the Art section, 2011-present, including many that have been on view at Ashland Gallery over the last few months. Many thanks to John McKee for the show with my mom, Sandi Finney.



Swing by the site, take a look around and watch for more regular updates.

Portland Bound

I don’t normally ask for help. I’m normally a I-have-a-handle-on-this, I’ll-figure-it-out type of gal. This could be seen as a fault of mine. And it’s not so much that I don’t let people help me, it’s that I insist on doing and giving something in return, I don’t like the feeling of “owing” someone – this will be no different.


Here goes… I need a bit of a break. I need to go explore another place and meet and work with new artists and creatives. I love Indianapolis, but have been itching to get out of town for a while.

Along came an opportunity. Artist and photographer, Sabrina Ward Harrison, whose work I adore and admire, is offering a workshop/retreat this August in Portland, OR and I’m doing everything I can to be there.


With that, at the suggestion of a friend, I’ve created an Indiegogo campaign to help raise the funds so that I can participate in this artistic retreat. In exchange for a donation, I’m offering a series of perks ranging from a personal thank you postcard sent from Portland all the way up to original artwork. These perks are based on the level of contribution and are a steal. I normally sell a 10 X 10 commissioned painting for about $200, but will make something custom for just $100.


I hope you’ll consider helping out with a donation, no matter how small, and you’ll get some cool stuff in return. I can stress that while I will be having fun, this is not a vacation. I’m going to get re-inspired and re-fulfilled so I can come home brimming with new ideas.

I also plan on blogging while I’m there and keeping everyone up to date on the trip.

For all the details on the campaign itself, including the full budget, the list of perks and how to give (!), click here. Despite the lofty Indiegogo campaign goal, I’m looking to bring that number down. With plans to eat cheap and surf someone’s couch if I can, the total will be less.

A big thanks in advance for any contributions!

ninety six. ninety seven. ninety eight. ninety nine.


I took a week off of work a couple weeks ago, during which I scooted up the road with my mom to LaPorte, IN. This is where the Oberreichs met the Bagleys and how I came to be a few generations later. You see, Herman Oberreich (my 2nd grandfather) came to LaPorte from Germany via Wisconsin. There he met and married Elizabeth “Libbie” Bagley. Libbie’s father, Asher, was a big wig business man in LaPorte with carriage-making business.

We spent a couple hours in the reference library at the LaPorte County Historical Society Museum with a historian named Fern.


After about an hour of searching the Patton Cemetery, we found the monument for the Bagley family – this included Asher, his wife Elizabeth (their daughter, Herman’s wife, was also named Elizabeth) and a new person, a son, William.


Herman was co-owner of a store called Oberreich & Arnold in downtown LaPorte and eventually had a small street named for him. We visited Oberreich Street too. A bit surprised at the misspelling of my family name on one block of Oberreich Street (left), I’m planning a note to the city.

Oberreich Street

This is the kind of thing I dork out about, my family history, and how I spend my vacation.

eighty nine. ninety. ninety one. ninety two.


I’m trying to get back into posting a picture daily. Today, in an effort to get at least somewhat caught up, I’m giving you four images from the June First Friday Gallery Tour. This month, two of my studio mates had solo shows so Sofiya Inger and I made the rounds. The first was M10 in the Circle City Industrial Complex for Emily’s These Are the Days That Must Happen to You, photographs from her recent trip to Ireland. Next we went to the Fletcher area near Fountain Square for Grace’s Roots and Wings. Grace showed her paintings as well as photographs (also by her son, David) from her recent travels at Harold Lee Miller’s studio.

e1998b0ecfc311e2a2fe22000a1f8ce3_7Emily took pictures of Sofiya’s altered shirt while I held her wine.


We ended the night with a stop at Gallery 924 at the Arts Council of Indianapolis for the Self-Portraits show.